![]() The current body of produce doesn’t underline any style or genres.īody movement has become as important an element as any other in most plays. ![]() There is no distinctive style noticeable. ![]() Aspirants are still caught in their own personal thematic fondness. I have sadly yet to get excited by scripts created locally. What are the most interesting styles of scripts that you have noticed over the years? However, we do need an ecosystem of writers, theatre companies and actors coming together to create plays holistically. For starters, even if no consistency of quality of scripts has been achieved, seeds are being sown aspiring writers now have an incentive to create and a platform to express. Partially thanks to local theatre festivals giving a platform to local groups and creative talents, and also thanks to the promotion of playwrights through competitions, scriptwriting has received a shot in the arm.
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